BEATLE BONES AND SMOKIN' STONES
FROWNLAND
THE DUST BLOWS FORWARD AND THE DUST
BLOWS BACK
version from book SKELETON BREATH,
SCORPION BLUSH (1987)
DACHAU BLUES
[spoken:]
... and it attracted a lot of rats, and er, they closed the doors, and er, they all got shotguns and shot in the grass. nothing happened, they couldn't get the rats to move, see. so they got one fellow down there, and he said, ah, he-e-e-e s-stammered at you; when he got excited he couldn't talk at all. they got him down there and walt said: 'i'll get them out of there', and he took a stick to beat them, trying to get them out of there. then they started to shoot in wild rushes. and old walt thought he was gonna get killed....
ELLA GURU
***
HAIR PIE: BAKE 1
[spoken conversation with two
youngsters seeking a drummer for a band:]
girl: we just moved in around
here. we heard you play, so we decided we'd come up and
find out who it was.
don van vliet (captain beefheart:)
(laughs) o, ho, yes. captain beefheart and his
magic band.
boy: really?
don van vliet: yeah.
[short pause]
don van vliet: where did you
move her from?
girl: oh, just from --
boy: (interrupting) reseda.
girl: yeah.
don van vliet: reseda?
girl: yeah.
don van vliet: she's nice....
[silence]
don van vliet: what do you
think?
visitors (together): sounds
good.
don van vliet: it's a bush
recording. we're out recording the bush. name of the
composition is 'me -, neon meate dream of an octafish'.
boy: hum.
girl: um.
don van vliet: no! it's: 'hair
pie'.
[silence]
girl: looks you don't find the
drummer now.
boy: huh!
MOONLIGHT ON VERMONT
***
TAKE A FEW DAYS OFF!
when she wears her bolero then she begins to dance
all the pachucos start witholding hands
when she drives her chevy sissies don't dare to glance
yellow jackets and red debbils buzzing around her hair
hive ho
she wears her past like a present
takes her fancy in the past
her sedan skims along the floorboard
her two pipes pied humming carbon cum
got her wheel out of a b-29 bomber brodey knob amber
spanish fringe and talcum tassels forever amber
she looks like an old squaw indian
she's ninety-nine she won't go down
avocado green and alfalfa yellow adorn her to the ground
tattoos and tarnished utensils a snow white bag full of
tunes
drives a cartune around bromo-seltzer blue umbrella
keeps her up off the ground
round red sombreros rap her high tap horsy shoes
when she unfolds her umbrella pachuco got the blues
her loving makes me so happy
if i smile i would crack my chin
her eyes are so peaceful thinks it's heaven she been
her skin is as smooth as the daisies
in the center where the sun shines in
smiles as sweet as honey
her teeth as clean as the combs where the bees go in
when she walks flowers surround her
let their nectar come into the air around her
she loves her love sticks out like stars
her loving sticks out like stars
mix of original lyric sheet and
version from book SKELETON BREATH, SCORPION BLUSH
(1987)
BILL'S CORPSE
SWEET SWEET BULBS
NEON MEATE DREAM OF A OCTAFISH
CHINA PIG
note as given on the lyric
sheet:
owing to the condition of the
players and the environment of the recording,
certain portions are inaudible, thus we can only
guess at the real meaning
i don't wanna kill my china pig
no, i don't
a man's gotta live
a man's gotta eat
a man's gotta have shoes to walk out on the street
i don't wanna kill my china pig
o, you're gonna be there - i want you to be
i don't wanna kill my china pig
well, i used to go to school
with a little red box
and i used to have my pig go with me
we walked for blocks
i don't wanna kill my china pig
his tail curled five times in a circle round
it's glazed
he's got a slot in his back flowers grow
my china pig be a quite a show
i don't wanna kill my china pig
oh no
my china pig
i got him by the snout
and i take him by the cuff
and i whipped out my fork
and i poked at him
three hairs laid out on my floor
i remember my china pig
i fed the neighborhood
it was a big neighborhood
a lot of people liked my pig
one little girl used to put her fingers in his snout
i put a fork in his back
i didn't wanna kill my china pig
MY HUMAN GETS ME BLUES
***
DALI'S CAR
PENA
pena
her little head clinking
like a barrel of red velvet balls
full past noise
treats filled her eyes
turning them yellow like enamel coated tacks
soft like butter hard not to pour
out enjoying the sun while sitting on
a turned on waffle iron
smoke billowing up from between her legs
made me vomit beautifully
and crush a chandelier
fall on my stomach and view her
from a thousand happened facets
liquid red salt ran over crystals
i later band-aided the area
sighed
o, well, it was worth it
pena pleased but sore from sitting
chose to stub her toe
and view the white pulps horribly large
in their red pockets
'i'm tired of playing baby,' she explained
and out of a blue felt box let escape
one yellow butterfly the same size
its droppings were tiny green phosphorus worms
that moved in tuck and rolls that clacked
and whispered in their confinement
three little burnt scotch taped windows
several yards away
mouths open to tongues that vibrated
and lost saliva
pena exclaimed: 'that's the raspberries'
WELL
WHEN BIG JOAN SETS UP
FALLIN' DITCH
when i get lonesome, the wind begins to moan
when i trip falling ditch
somebody wants to throw the dirt right down
when i feel like dying, the sun comes out
stole my fear and gone
who's afraid of the spirit with the bluesferbones?
who's afraid of the falling ditch?
falling ditch ain't gonna get my bones
how's that for the spirit?
how's that for the things?
ain't my fault the thing has gone wrong
when i'm smiling. my face wrinkles up real warm
when i'm frowning, things just turn to stone
falling ditch ain't gonna get my bones
when i get lonesome, the wind begins to moan
falling ditch ain't gonna get my bones
SUGAR 'N' SPIKES
ANT MAN BEE
***
TAKE A FEW
DAYS OFF!
ORANGE CLAW HAMMER
WILD LIFE
SHE'S TOO MUCH FOR MY
MIRROR
she's too much for my mirror
she almost makes me lose it
the way she abused it makes me never want to use it
well, mend your heart and mind your soul
old chicago, she's a woman
that makes a young man a bum
she howls like the wind
make my heart grow cold
make me long for that little red fum
she makes things fly and she makes things roll
she got me way over here and i'm hungry and cold
i remember my mother told me i ought to be choosey
that was way back when i thought she was my friend
now i find out she's a floosey
i remember the butterflies and the sweet smell of
corn
and the bubbling fish in that little pond
oooh! lousey! [2x]
how i long for you [2x]
she's too much for my mirror
that little floosey, oh, how i fear her
oooh! lousey
[spoken:]
shit, i don't know how did
that harmony get in there?
HOBO CHANG BA
THE BLIMP
(mousetrapreplica)
master master, this is recorded thru a fly's ear
and you have to have a fly's eye to see it
it's the thing that's going to make
captain beefheart and his magic band fat
frank, it's the big hit! it's the blimp!
it's the blimp, frank! it's the blimp!
when i see you floating down the gutter
i'll give you a bottle of wine
put me on the white hook
back in the fat rack
shad rack ee shack
the something hoop [2x]
the blimp [2x]
the drazy hoops [2x]
they're camp [2x]
tits, tits, the blimp, the blimp
the mother ship [2x]
the brothers hid under their hood
from the blimp, the blimp
children stop your nursing unless you are rendering
fun
the mother ship, the mother ship's the one
the blimp [2x]
the tapes a trip it's a trailing tail
it's traipsing along behind the blimp, the blimp
the nose has a crimp
the nose is limp, the blimp
it blows the air, the snoot isn't fair
look up in the sky there's a dirigible there
the drazy hoops whir
you can see them just as they were
all the people stir
and the girls' knees tremble
and run and wave their hands
and run their hands over the blimp, the blimp
daughter, don't you dare
oh, momma, who cares
it's the blimp! it's the blimp
[conversation:]
don van vliet (captain
beefheart:) that's it.... hello?
frank zappa: hello.
don van vliet: did you
get it?
frank zappa: sure did.
it's beautiful. (laughs.)
someone else: i think
that we have enough on the tape to, er, just to
use that as this for the album.
frank zappa: okay, i'm
not listening to that bag now. i gotta go back to
that --
STEAL SOFTLY THRU SNOW
OLD FART AT PLAY
pappy with the khaki sweatband
bowed goat potbellied barnyard
that only he noticed
the old fart was smart
the old gold cloth madonna
dancing to the fiddle and saw
he ran down behind the knoll
and slipped on his wooden fishhead
the mouth worked and snapped all the beesback to the bungalow
momma was flattening lard
with her red enamelled rolling pin
when the fishhead broke the window
rubber eye erect and precisely detailed
airholes from which breath should come
is now closely fit
with the chatter of the old fart insidean assortment of observations took place:
momma licked her lips like a cat
pecked the ground like a rooster
pivoted like a duck
her stockings down caught dust and doughballs
she cracked her mouth glazed caught one eyelash
rubbed her hands on her gorgeous gingham
her hand grasped sticky metal intricate latchwork
open to the room a smell cold mixed with bologna
rubber bands crumpled wax paper bonnets
fat goose legs and special jellies
ignited by the warmth of the room
the old fart smelled this through his important breather holes
cleverly he dialled from within
from the outside we observed
that the nose of the wooden mask
where the holes had just been a moment ago
was now smooth amazingly blended camouflaged in
with the very intricate rainbow trout replicathe old fart inside was now breathing freely
from his perfume bottle atomizer air bulb invention
his excited eyes from within the dark interior glazed
watered in appreciation of his thoughtful preparation[spoken:]
oh man, that's so heavy.
version from book SKELETON
BREATH, SCORPION BLUSH (1987)
VETERAN'S DAY POPPY
***
TAKE A FEW DAYS OFF!